Hochschulbibliothekarin (The Librarian)
EN: Romance novels marked for exploitative tropes and locked in a painted cabinet. After the secured Staff Reading cabinet in the library of my high school.
DE: Liebesromane, deren ausbeuterische Tropen gekennzeichnet und in einem bemalten Schrank eingeschlossen sind. Nach dem gesicherten Personalleseschrank in der Bibliothek meiner High School.
The Librarian, (2013-16) Interactive installation of wood, glass, paper, metal, acrylic paint and plastic. Dimensions vary.
Die Hochschulbibliothekarin (2013-16), Interaktive Installation aus Holz, Glas, Papier, Metall, Acrylfarbe und Plastik. Maße variabel.
Critical readings of regency romance novels revealed the following themes, which are page marked and sorted by colour:
Heteronormativity - the assumption that heterosexuality is the only sexual orientation
Rape - sexual assault of a character
The ethnic other - eroticisation of racialised characters
Love-making - consensual erotic contact
In the realm of historical / 'regency' romance, all of these themes are necessarily warped; their intractability from the genre is symbolised in the novels' typical commissioned cover artwork.
This cabinet's 'cover-painting' excludes the tropes of an embracing couple (the woman suppliant, the man brutally impassive) and castles or great houses (implying that true romance is reserved for those wielding fealty, wealth; colonial power), focusing, instead, on the blossoming and dispersion of delicate flowers (priceless virtue; virginity).
Bereft of human figures and architecture, what remains is eroticised landscape.